So, as a bit of light reading I’ve just finished Hemmingway’s short ditty set against the idyllic and trouble free backdrop of the Spanish Civil War. Never read him before so had to take a peek to see what all the fuss was about.
Initially, the book was quite a struggle, not only because my actual copy is a faded paperback from the 70s which is practically falling apart; I also inherited a version where some ingenious publisher had decided to squeeze as much text into a page as possible. Result = squinty eye syndrome and possible optician’s prescription.
Also, Hemmingway throws in some extremely odd terms and phrases to highlight the various idioms of the Spanish language. Other translators would have used more subtle methods so I’m not sure why Hemmingway does this. As Wikipedia says: ‘The Spanish expression of exasperation me cago en la leche repeatedly recurs throughout the novel, translated literally as "I obscenity in the milk." It’s a bumpy ride but you eventually get used to it.
Anyway, the book isn’t your typical Andy McNab shoot em’ up novel. As we follow the main protagonist through 400 pages, the actual war plays very much a supporting role to the main event – the detailed minutiae of Robert Jordan’s thoughts. Hemmingway’s narrative style is not stream of consciousness but it highlights the same age-old problem of knowing other people’s minds. Self-referential and ego-centric, the hero has more conversations with himself than with other people. Likewise, when we do hear conversations with other people, Hemmingway keeps the camera rolling so we get endless passages of seemingly trivial details. It’s as if Hemmingway has removed the all-seeing eye of the AUTHOR, reserving judgement – inviting the READER to develop their own opinion.
Not that it ignores war altogether. With much of the book devoted to long periods of characters waiting for the action to begin, when things do kick off it’s all the more tragic.
There you have it – the English lit essay that never saw light. For better some might say.
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